RANI KI VAV
It is generally assumed that it was built in the memory of Bhimdev I (AD 1022 to 1063), the son of Mularaja, the founder of the Solanki dynasty of AnahilwadaPattan about 1050 AD by his widowed queen Udayamati and probably completed by Udayamati and Karandev I after his death. A reference to the Udayamati building the monument is in the 'PrabandhaChintamani' composed by MerungaSuri in 1304 AD.
Most of the sculptures are in devotion to Vishnu, in the forms of Dus-Avatars Kalki, Rama, Mahisasurmardini, Narsinh, Vaman, Varahi and others representing their return to the world. Nagkanya, Yogini beautiful women - Apsara showcasing 16 different styles of make-up to look more attractive called Solah-shringar
Around 50–60 years back there used to be ayurvedic plants around this areas which causes the water accumulated in Rani nivav helpful for viral disease, fever etc.
Rani (Queen) Udayamati commissioned this vav or stepwell, in 1063 in the memory of her husband King Bhimdev I of the Solanki dynasty. The vav was later flooded by the nearby Saraswatiriver and silted over until the late 1980s, when it was excavated by the Archeological Survey of India, with the carvings found in pristine condition. Rani Ki Vav is amongst the finest stepwells in India, and one of the most famous legacies of the ancient capital city.
The vavs of Gujarat are not merely sites for collecting water and socialising, but also simultaneously hold great spiritual significance. They were originally constructed quite simply, but became more intricate over the years, perhaps to make explicit this ancient concept of the sanctity of water by carving it out in stone deities. You may thus enter Rani Ki Vav as if it is a subterranean temple.
The steps begin at ground level, leading you down through the cool air through several pillared pavilions to reach the deep well below. There are more than 800 elaborate sculptures among seven galleries. The central theme is the Dasavataras, or ten incarnations of Vishnu, including Buddha. The avatars are accompanied by sadhus, Brahmins, and apsaras (celestial dancers), painting their lips and adorning themselves. At water level you come to a carving of Sheshashayi-Vishnu, in which Vishnu reclines on the thousand-hooded serpent Shesha, where it is said he rests in the infinity between ages.